Vogue 8877 in an Unnatural Animal Print

This print is not the sort of print I would normally wear, and these are not the sort of colours I'd normally wear either, but when I came across the fabric in the remnant bin of The Fabric Store on a visit with Nic, I found it strangely irresistible.  I may be making a heinous style error (who cares!) but I love it, and I think it's going to "go"- or at least "pop" in a way I find appealing - with lots and lots of the duller characters in my wardrobe :). 

Speaking of the duller characters, in these photos I'm wearing my new top with a grey merino dress (Vogue 1338, blogged here), and I'd just taken off an aubergine boiled wool jacket (Vogue 8930, blogged here) - Vogue trifecta for the win!  I feel too self conscious in the grey merino dress by itself, but I realised today I'd be perfectly comfortable and cosy wearing it with an extra layer. 

Here's Vogue 1338, photographed a few years ago:

and Vogue 8930 looks like this on:

What's with the hands on hips all the time, hey?

This top is view C of the Vogue 8877 sewn from a single fabric, sewn in a size Medium (12-14) and with a narrowed neckline. As I've mentioned before, this pattern is intended for wovens but can also be sewn with stretch fabrics.  The dropped shoulders and curved bust seam are potential fitting challenges, and the first time I sewed the top (from a cotton lawn, never blogged) I thought the fit was a disaster.  Version number two was a t-shirt (loved it, and the fit was of course more forgiving in a stretch fabric), version three was made from linen - no fit issues that time around for some reason, and version four was a merino wool jumper. 

Version two, the crazy bunnies t-shirt:

Version three in white linen:

Version four as a merino travel jumper:

This time around my fabric is a white cotton waffle weave with purple, yellow and grey splotches printed on one side. The fabric doesn't really drape, so Vogue 8877 wasn't the ideal pattern - but I wanted to make something oversized and sweatshirt-related and V8877 seemed like a decent representation of that idea. 

To be honest the only hint of sweatshirt I've really managed is that ribbed neckband!  It's a bit subtle, isn't it! 

And speaking of unnoticeable, that curved bust seam isn't even visible in this print, is it - it would have been a good idea to pick it out with some piping, but the idea didn't occur to me till I saw these photos.  

So this is version 5. Apart from the rib neckline, the only change I made this time was to play around with the hemline.  Again, I don't think you can really see it, but I cut into the length of the front bodice and curved the sides down to the (original length) back. I included a really deep hem this time too with what I thought might be noticeable black top stitching but it just blends into the print. Who'd have thought? Turns out subtle doesn't work with fake animal print! 

I'll leave you with a couple more photos of the new top - I can't think of anything more to say about it! 

 

 

Happy sewing, and see you soon!

- Gabrielle x

More a Miaow than a Roar

Let me quickly try to blog against my Vintage Pattern Pledge target - I was aiming for 4 garments from vintage or reproduction vintage patterns, and though I'm pretty sure I've sewn 4 and a half, I've only blogged 2: my graphic alert dress and my frocktails cape; this broderie anglaise top doesn't count because I sewed it late last year. 

So here's vintage pattern garment number 3 for the pledge: a pink animal print (is there such a thing as a big cat with pink fur?) top made using a 1980s pattern. 

This next photo is the best I have - I'm not sure why the rest of my photos are so washed out! 

 

The fabric is a spongey, crepey, slightly stretchy fabric from Lincraft - it's got to be a cheap polyester. I bought it a few months ago (before I learnt my lesson) for a ridiculously cheap sale price, thinking it would be good "test" fabric, though it's unlike anything else in my stash...  On the plus side it needs no ironing, which makes the top useful when I'm running late for work.  In the below picture I'm doing a terrible job of acting "running late for work". Terrible! 

And the pattern is one I picked up very cheap in a second hand store - there is not that much demand for these 80s basics! I thought it looked like a good pattern though: firstly it's a designer pattern, and secondly it includes three very different tops: a shoulder-buttoned pullover top with cut on, fluttery sleeves (A); a drop shoulder, side-buttoned (!!) long sleeved top (B), and a forward shoulder, front-buttoned blouse (C).  I'm kind of staggered that these three tops were considered good for a single pattern back then - they are all so different!  

On first glance the pattern looked too small for me - it's a size 10, I know the sizing is the same as in modern Vogue patterns, and I currently fit a size 12 in modern Vogue top patterns. However, back then clothes were worn a lot looser than now - yippee!  For 80s patterns I get to go down a size (unless I want an 80s fit!), just keeping an eye out for nipped in waists :).  

I wanted to make something simple with my stunt fabric, so I went with variant A, and left off the shoulder buttons. On the pattern envelope photo the neckline on this top looks absolutely comfortable, but I assume a very slim model was used, as when I cut this out I found the neckline quite constricting - and so small that those shoulder buttons would have been a necessity - so I recut my neckline and facing a couple of centimetres bigger all around to fit my head.  

Without the shoulder button detail all that's left is the shape, with what turns out to be a rather lovely sleeve - I think these sleeves would look beautiful in a drapey silk. The arm scye is quite low cut but not so low cut as to show any bra. 

I sewed this very fast and carelessly, and the result is absolutely wearable but nothing special.  I do like a simple top though, and I think I may be able to square the shoulders on this pattern to make for an even more fluttery sleeve - and a pattern that would then work with a border print along the shoulder line (ideas, ideas, ideas!). So in short, I'll definitely be coming back to this one.

Happy new year, and see you in 2016!

- Gabrielle xx